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Articles and Knowledge Centre at Howard Iron Works Printing Museum and Restoration

BUGRA 1914
   
1893 World's Columbian Exposition
   
The Big Strike
   
The Genius of
Friedrich Köenig
   
Deception In
Philadelphia
   
Sticks, Lies, and
Movable Type
   
Mummy Rags At A
Yankee Paper Mill
   
How A Printer Is Managed
   
Heidelberg's Greatest Gift
   
Development Of The
Heidelberg T Platen






Heidelberg T Evolution Products exclusively available from Howard Iron Works Printing Museum

The Evolution Collection celebrates the amazing 71 years of production of the iconic Heidelberg T (Tiegel) Platen Press - from its first debut at the 1914 BUGRA Exhibition in Leipzig to the last year of production in 1985.

The image informs the evolution of design and technology of this platen press, lovingly remembered by most as the "Windmill" - a nickname which derived from the windmill action of the gripper bars.

Evolution Collection features t-shirts, coasters, keychains, and mugs. More items are currently in development.

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Howard Iron Works Glimpses into the Past - Bugra 1914, Leipzig


BUGRA (Weltaustellung für BUchgewerbe und GRAfik) opened on May 6, 1914 – 104 years ago today – in Leipzig, Germany. It was the first of its kind - a world's fair showcasing all aspects of books and bookmaking, including papermaking, printing, bookbinding, and book publishing. The fair was built on a 100-acre parcel near the site of the Battle of The Nations 100 years earlier. As many as 40 primary structures were erected, 22 countries exhibited, and 2.3 million visitors attended. The United States of America did not participate, except for the exhibits by the Library of Congress, Harvard and Columbian University libraries.

The iconic Bugra 1914 poster was designed by Walter Tiemann, from the Leipzig Royal Academy. The poster artistically depicts a young man riding a gryphon, carrying a torch in one hand and flowers in the other. The inspiration and meaning of the image were widely discussed, and often parodied by humorists.

The main presentation in the massive Hall of Culture was an exhibit named “Three Thousand Years of Graphic Arts in the Service of Science.” It was an in-depth exploration of the role graphic arts played in the progress of civilization throughout the ages – from pre-historic times and man’s earliest printing attempts including Gutenberg’s invention, all the way to the modern era.

Many equipment manufacturers paraded their new or new-and-improved machinery and techniques. The Howard Iron Works Museum is proud to have many of these manufacturers represented in the Collection.

• Richard Billhöfer Maschinenfabrik GmbH & Co. KG, Nürnberg
• Felix BötcherWerkzeug- Maschinenfabrik, Leipzig
• Gebrüder Brehmer Maschinenfabrik, Leipzig
• Dresdner Schnellpressenfabrik, Dresden (Planeta)
• Maschinenfabrik August Fomm , Leipzig
• Maschinenfabrik Georg Goebel, Darmstadt
• A. Hogenforst, Leipzig
• Ferd. Emil Jagenberg, Dusseldorf
• Emil Kahle Maschinen-Fabrik, Leipzig
• Karl Krause Mashinenfabrik, Leipzig
• J.G. Mailander Schnellpressenfabrik, Stuttgart
• Martini Buchbindereimaschinenfabrik AG, Frauenfeld (Switzerland)
• Maschinenfabrik Johannisberg GmbH
• Mergenthaler Setzmaschinenfabrik GmBH, Berlin
• Miehle Druckpressen GmBH, Berlin
• Monotype Setzmaschinen, Berlin
• Smyth-Horne, Ltd., London
• Schnellpressenfabrik Heidelberg, Heidelberg
• Schnellpressenfabrik Albert & Cie, Frankenthal
• Schnellpressemfabrik König & Bauer GMBH, Würzburg
• E.C.H. Will Liniirmaschinenfabrik, Hamburg
• J. G. Schelter & Giesecke, Leipzig

At Bugra 1914, Schnellpressenfabrik Heidelberg introduced, their Heidelberg T (Tiegel) Platen Press, featuring a unique windmill gripper action, hence the nickname “The Windmill.” From the first introduction at Bugra in 1914 to the year 1985 when the last platen was produced, over 165,000 platen presses were manufactured and shipped to happy users around the world. Many windmills are still in operation today – a testimony to the reliability, adaptability and innovative design that lasts.


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On July 27, the First World War was declared. Although Bugra remained open, immediately Great Britain, France, Belgium, Russia, and Japan closed up their exhibits and went home. Some other exhibitors followed and abandoned the Fair. Bugra received about 2 million visitors at the time the war started, but the terrible news sadly drove the attendance down drastically to a meager 300,000 for the rest of the fair.

Bugra 1914 was finally closed on October 18, leaving the city of Leipzig with a half a million Reichsmarks in debt. The buildings and structures were quickly demolished to make room for drill fields for military exercises. A significant amount of the exhibits were safely placed in a museum. But, the sad legacy of war continued when three-quarters of the saved books and artifacts from Bugra 1914 were destroyed when the museum was severely hit during the World War II bombing of Leipzig in 1943. In 1945, the Red Army seized many valuable artifacts, including a Gutenberg Bible, and took them to Moscow. To this date, they remain at the Russian State Library.

Subsequent Bugra exhibitions were held since 1914, but they were nowhere near the size of the Leipzig’s Bugra in size and level of excitement the 1914 edition generated.

In the century following Bugra 1914, some of the manufacturers succumbed to the tide of technology obsolescence, or merged with, or were acquired by others. But, some such as Heidelberg, König & Bauer, and Müller- Martini have continued to lead and thrive today.


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